Feb 7, 2015 | Animation, Digital Media/Internet, Film, Sound, Television, Volume 25
Abstract Eye tracking is a research tool that has great potential for advancing our understanding of how we watch movies. Questions such as how differences in the movie influences where we look and how individual differences between viewers alters what we see can be...
Feb 7, 2015 | Digital Media/Internet, Film, Sound, Television, Uncategorized, Volume 25
Abstract This article provides an overview of eye tracking studies on subtitling (also known as captioning), and makes recommendations for future cognitive research in the field of audiovisual translation (AVT). We find that most studies in the field that have been...
Dec 28, 2012 | Digital Media/Internet, fan culture, Film, Games, Music, Sound, Volume 21
Abstract: During the Nine Inch Nails’ Lights in the Sky tour in 2008, Trent Reznor made use of two semi-transparent stealth screens layered in front of a third screen through which the band performed the second and third acts of the show. A stealth screen is made from...
Aug 1, 2011 | Film, Print Media, Sound, Volume 19
A film festival is always a time machine, and Il Cinema Ritrovato doubly so. Every bit of film contributes to the kaleidoscope of a century, especially when screened now, at the beginning of a new century and during circumstances where almost no moment of film, and...
May 6, 2011 | Film, Sound, Volume 18
Cole Porter (1891 – 1964) is a composer and popular songwriter with two musical biopics that explore his life story: Night and Day (Michael Curtiz, 1946) and De-Lovely (Irwin Winkler, 2004). Due to their time of release and production the films offer different...
Jul 18, 2010 | Film, Sound, Volume 17
Much of the academic writing on the films of Buster Keaton concentrates on the silent period from 1917, when Keaton began his career in films, to 1928 when his independent production company (Buster Keaton Productions) was wound up and Keaton signed a contract with...
