Aug 23, 2014 | Browse Past Volumes, Uncategorized, Volume 24
Themed Issue: Intermediations Edited by Kevin Fisher and Holly Randell-Moon Contents: 1. Editorial Introduction — Kevin Fisher and Holly Randell-Moon 2. Animating Ephemeral Surfaces: Transparency, Translucency and Disney’s World of Color — Kirsten Moana...
Aug 6, 2014 | Animation, Digital Media/Internet, Film, Print Media, Television, Uncategorized, Volume 24
Themed Issue: Intermediations Edited by Kevin Fisher and Holly Randell-Moon Contents: 1. Editorial Introduction — Kevin Fisher and Holly Randell-Moon 2. Animating Ephemeral Surfaces: Transparency, Translucency and Disney’s World of Color — Kirsten Moana...
Aug 6, 2014 | Digital Media/Internet, fan culture, Film, Television, Volume 24
Abstract: Digital technologies have enabled new ways of communicating and relating to others and this has fundamental consequences for being and for meaning. In this paper I map the development of concepts of intermediality and transmediality that are used to describe...
Aug 6, 2014 | fan culture, Film, Television, Volume 24
Abstract: In this paper I examine the television program True Blood’s allusions to gay liberation in terms of the biopolitical and neoliberal implications of consuming civil rights as a transmedia story. In the program, vampires have ‘outed’ themselves to the...
Aug 6, 2014 | Digital Media/Internet, Television, Volume 24
Abstract: This article explores the usefulness of ‘intermediality’ approaches for understanding contemporary reality television. Through a case study of Intervention, it is proposed that intermedial frameworks illuminate reality television’s function as a “dream of...
Aug 6, 2014 | Film, Volume 24
Abstract: Werner Herzog’s Cave of Forgotten Dreams (2010) has been celebrated as the first non-gratuitous use of 3-D: perfectly suited to revealing the interior of the cave and the naturalistic environment in which it is situated, as opposed to immersing the spectator...
