Refractory: a Journal of Entertainment Media
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The Comfort and Disquiet of Transmedia Horror in Higurashi: When They Cry (Higurashi no naku koro ni) – Brian Ruh

Jun 22, 2014 | Animation, Comics, Television, Volume 23

It has been common in recent years for a Japanese entertainment property to encompass multiple forms of media. In fact, it has become unusual for a media product to not exist in more than one format. There are many different paths that this media progression can take...

Asian Extreme, Tokyo Gore, and Sushi Typhoon: Selling Eastern Violence to Western Audiences – Jessica Hughes

Feb 5, 2014 | fan culture, Film, Uncategorized, Volume 22

  This article considers a recent group of Japanese films and filmmakers that use Asian Extreme style to signal an awareness of international audiences, and it will argue for a set of central features typifying this category of film, which is referred to as...

Passing Time and Ruin: Michael Richards and the Afterlife of Performance in Comedians in Cars Getting Coffee – Elliott Logan

Feb 5, 2014 | fan culture, Refractory, Television, Uncategorized, Volume 22

  This article appreciates the Michael Richards episode of Jerry Seinfeld’s online video series Comedians in Cars Getting Coffee (Crackle, 2012-).[1] I claim the episode is distinguished among the series by its unexpectedly poignant images of Richards giving...

The Power Girls Before Girl Power: 1980s Toy-Based Girl Cartoons – Katia Perea

Feb 5, 2014 | Animation, Comics, fan culture, Other, Uncategorized, Volume 22

  Abstract: The socio/cultural history and partnership of toy advertisement and children’s television is rich and well documented (Schneider 1989, Kunkel 1988, Seiter 1993). In this article I discuss the influence of policy in girl’s cartoon programming as...

Hyperreality with Tentacles: David Cronenberg, Memes, and Mutations – David Faust

Feb 5, 2014 | Film, Games, Television, Uncategorized, Volume 22

Abstract: This paper attempts to examine three films by director David Cronenberg, Videodrome, Naked Lunch, and  eXistenZ in an effort to understand his ideas regarding the transformative nature of information on the body and mind. As a filmmaker, Cronenberg is unique...

Red Riding Hood (2011): The Heroine’s Journey Into the Forest – Athena Bellas

Dec 29, 2012 | Film, Television, Uncategorized

In the closing scenes of Catherine Hardwicke’s recent teen film Red Riding Hood (2011), heroine Valerie, armed with a dagger, journeys into the forest to hunt and kill the big bad wolf. After slaying the beast in a bloody battle, Valerie does not return home to be...
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Refractory: A Journal of Entertainment Media