Refractory: a Journal of Entertainment Media
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‘Rock‘n’roll’s evil doll’: the Female Popular Music Genre of Barbie Rock – Rock Chugg

Oct 8, 2015 | Browse by Media, Browse Past Volumes, Digital Media/Internet, Music, Other, Print Media, Volume 26

Abstract: Fostering male tradition in popular music, rock’n’roll history often underrated the early Girl Group chart-topping era of 1958-63 after Elvis and before Beatlemania. By the 1990s-2000s, Riot Grrrl and Girl Power success was again devalued by that homosocial...

Volume 26

Oct 7, 2015 | Browse Past Volumes, fan culture, Film, Games, Music, Print Media, Television, Volume 26

Contents “Children should play with dead things”: transforming Frankenstein in Tim Burton’s Frankenweenie –  Erin Hawley “You gave me no choice”: A queer reading of Mordred’s journey to villainy and struggle for identity in BBC’s Merlin  –  Joseph Brennan...

Reaching for the Screen in Nine Inch Nails’ ‘Lights in the Sky’ – Katheryn Wright

Dec 28, 2012 | Digital Media/Internet, fan culture, Film, Games, Music, Sound, Volume 21

Abstract: During the Nine Inch Nails’ Lights in the Sky tour in 2008, Trent Reznor made use of two semi-transparent stealth screens layered in front of a third screen through which the band performed the second and third acts of the show. A stealth screen is made from...

On Cinema, Stars, Boleros y Comedia: Contesting Cold War Repression through Mexican American Popular Culture in the pages of La Opinion – Soledad Vidal

Nov 7, 2012 | Film, Music, Older Media, Print Media, Volume 20

Abstract: This article explores the role that La Opinion, a Mexican American press that rose to meet the growing needs of Mexicans of first and second generation in the U.S. Southwest, played in addressing migrants through a pedagogy of ethnic consciousness. It is...

Blockbusters for the YouTube Generation: A new product of convergence culture – Kristy Hess and Lisa Waller

Aug 1, 2011 | Digital Media/Internet, fan culture, Music, Television, Volume 19

Abstract: While scholars have paid much attention to YouTube in a Web 2.0 environment, the YouTube blockbuster is yet to be discussed as part of this convergence culture. It differs from transmedia storytelling in that no single company owns or controls the characters...

“A series of emotional remembrances”: Echoes of Bernard Herrmann – Daniel Golding

Aug 1, 2011 | Film, Music, Volume 19

1965 was not a good year for Bernard Herrmann. In his personal life, after fifteen years, his marriage to Lucy Anderson had ended in divorce. In his professional life, his career as a film composer was stagnating. Despite a decade of collaboration with director Alfred...
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Refractory: A Journal of Entertainment Media