Feb 6, 2015 | Browse Past Volumes, Digital Media/Internet, Film, Uncategorized, Volume 25
Themed Issue: Eye-Tracking the Moving Image Edited by Sean Redmond & Craig Batty Contents: 1. Seeing into Things: Eye Tracking the Moving Image – Sean Redmond & Craig Batty 2. Movement, Attention and Movies: the Possibilities and Limitations of Eye...
Feb 6, 2015 | Digital Media/Internet, Film, Uncategorized, Volume 25
Seeing into Things We chose Seeing into Things: Eye Tracking the Moving Image as the title of this special edition to foreground the importance of reaching beyond – and beneath – the surface of the screen and the worlds that it creates and envisions. Through the...
Aug 6, 2014 | Animation, Digital Media/Internet, Film, Print Media, Television, Uncategorized, Volume 24
Themed Issue: Intermediations Edited by Kevin Fisher and Holly Randell-Moon Contents: 1. Editorial Introduction — Kevin Fisher and Holly Randell-Moon 2. Animating Ephemeral Surfaces: Transparency, Translucency and Disney’s World of Color — Kirsten Moana...
Aug 6, 2014 | Digital Media/Internet, fan culture, Film, Television, Volume 24
Abstract: Digital technologies have enabled new ways of communicating and relating to others and this has fundamental consequences for being and for meaning. In this paper I map the development of concepts of intermediality and transmediality that are used to describe...
Aug 6, 2014 | fan culture, Film, Television, Volume 24
Abstract: In this paper I examine the television program True Blood’s allusions to gay liberation in terms of the biopolitical and neoliberal implications of consuming civil rights as a transmedia story. In the program, vampires have ‘outed’ themselves to the...
Aug 6, 2014 | Film, Volume 24
Abstract: Werner Herzog’s Cave of Forgotten Dreams (2010) has been celebrated as the first non-gratuitous use of 3-D: perfectly suited to revealing the interior of the cave and the naturalistic environment in which it is situated, as opposed to immersing the spectator...
