Jun 14, 2017 | fan culture, Film, Print Media, Television, Uncategorized, Volume 28
~ Tobias Locke Abstract: Penny Dreadful’s commercial and critical success stems from its transformative adaptation of the Gothic literary canon that precipitated it, and its willingness to use that adaptation as a vehicle for contemporary discourse. While previous and...
Jun 14, 2017 | fan culture, Film, Print Media, Television, Uncategorized, Volume 28
~ Anita Nell Bech Albertsen Abstract: This article maps out character complexity in Penny Dreadful by focusing on the intertextuality of monstrous female characters. The aim of this study is twofold. First, it seeks to examine show how mashup characters gain...
Jun 12, 2017 | Browse Past Volumes, fan culture, Film, Print Media, Television, Volume 28
Themed Issue: Identity and the Fantastic in Penny Dreadful Edited by Amanda Howell, Stephanie Green, Rikke Schubart & Anita Nell Bech Albertsen Introduction: Identity and the Fantastic in Penny Dreadful ~ Amanda Howell, Stephanie Green, Rikke Schubart...
Jun 12, 2017 | fan culture, Film, Print Media, Television, Volume 28
~ Amanda Howell and Lucy Baker Abstract: This paper uses the perspectives and formative obsessions of familiar figures from nineteenth century pop culture and literature—the flâneur, the explorer, the alienist and the spiritualist medium—as lenses through which to...
Jun 12, 2017 | Film, Print Media, Television, Uncategorized, Volume 28
– by Amanda Howell, Stephanie Green, Rikke Schubart and Anita Nell Bech Albertsen “. . . the best characters are the most complicated ones.” — John Logan (Qtd. Thomas 2014) In Season Two of television horror-drama,...
Aug 30, 2016 | Digital Media/Internet, Film, Museums, Volume 27
Abstract: George Poonkhin Khut’s sensory artwork, Distillery: Waveforming 2012, was the winner of the 2012 National New Media Art Award. This immersive installation artwork is a biofeedback, controlled interactive that utilises the prototype iPad application...
