Refractory: a Journal of Entertainment Media
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Editorial: Intermediations — Kevin Fisher & Holly Randell-Moon

Aug 6, 2014 | Animation, Digital Media/Internet, fan culture, Film, Television, Uncategorized, Volume 24

This special issue developed out the Intermediations symposium held at the University of Otago on May 31, 2013,[1] and on the invitation of keynote speaker and Refractory Editor, Angela Ndalianis. Presenters at this symposium who have contributed essays here include...

The Comfort and Disquiet of Transmedia Horror in Higurashi: When They Cry (Higurashi no naku koro ni) – Brian Ruh

Jun 22, 2014 | Animation, Comics, Television, Volume 23

It has been common in recent years for a Japanese entertainment property to encompass multiple forms of media. In fact, it has become unusual for a media product to not exist in more than one format. There are many different paths that this media progression can take...

The Power Girls Before Girl Power: 1980s Toy-Based Girl Cartoons – Katia Perea

Feb 5, 2014 | Animation, Comics, fan culture, Other, Uncategorized, Volume 22

  Abstract: The socio/cultural history and partnership of toy advertisement and children’s television is rich and well documented (Schneider 1989, Kunkel 1988, Seiter 1993). In this article I discuss the influence of policy in girl’s cartoon programming as...

In the Eye of the Beholder: Bishounen as Fantasy and Reality – Christy Gibbs

Nov 7, 2012 | Animation, Comics, fan culture, Television, Volume 20

Abstract: Since the international popularisation of anime and manga, the bishounen has been one of Japan’s best recognised archetypal figures. But where did this stereotypical look come from, and is it a purely fictional representation? This paper examines the...

The Single Female Intruder – David Surman

Nov 7, 2012 | Animation, Comics, Digital Media/Internet, fan culture, Film, Games, Older Media, Television, Volume 20

Abstract: This essay examines a contemporary cultural icon that operates across distinct media boundaries, as a kind of transmedia archetype. Of interest is the visuality of what I call the ‘single female intruder’, which emerges as the intersection of a variety of...

Digital Intervention: Remixes, Mash Ups and Pixel Pirates – Amanda Trevisanut

Jun 25, 2009 | Animation, Comics, Film, Uncategorized, Volume 15

The art of remix and mash-ups is a contemporary cultural phenomenon that has been facilitated by the mass availability of digital software. Remix effectively describes the process of taking samples of existing media – for example audio tracks, film and television...
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