In our teaching of Shakespearean film adaptation to undergraduates, one of the issues that frequently arises in class discussions is the question of how the visuality of the cinematic medium is constructed in tension against the verbal nature of Shakespeare’s dialogue. The tension between the visual and verbal dimensions of filming Shakespeare is created on … Continue reading ‘You That Way, We This Way’: Spectatorship and Song in Kenneth Branagh’s Love’s Labour’s Lost – Felicia Chan & Yong Li Lan