Abstract: There is a clear division in the writings about Billy Wilder’s 1959 cross-dressing musical comedy, Some Like It Hot. Either the film is categorised, and criticized, as a typical cross-dressing farce with the inevitable return to the heterosexual status quo predicated on an indissoluble gender binary; or it is read as a visionary and … Continue reading Disruptive Influence: The Enduring Appeal of Some Like It Hot – Suzanne Woodward