“Think Smart”: multiple casting, critical engagement and the contemporary film spectator – Nicole Choolun

To acknowledge that the avant-garde has evolved and changed, has adapted to the realities of our time, is to acknowledge as well that the world has moved on, that technology has evolved, that audiences now have different eyes, different expectations, and that the avant-garde is nothing if not resilient and determined. (Varela 2005, 7) In … Continue reading “Think Smart”: multiple casting, critical engagement and the contemporary film spectator – Nicole Choolun