Abstract: The embedded screen is a key feature of contemporary film and television texts featuring ‘terrorism’. Recurring chronotopes in these narratives, such as the control room and television news programmes, present us with frames within frames that have two complementary functions. First, embedded frames enact circular modes of logic, such as tautology and autology, which … Continue reading The Embedded Screen and the State of Exception: Counterterrorist Narratives and the War on Terror – Cormac Deane
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