Abstract Using eye tracking as a method to analyse how four subjects respond to the opening Omaha Beach landing scene in Saving Private Ryan (Steven Spielberg, 1998), this article draws on insights from cinema studies about the types of aesthetic techniques that may direct the audience’s attention along with findings about cognitive resource allocation in … Continue reading Sound and Sight: An Exploratory Look at Saving Private Ryan through the Eye Tracking Lens – Jennifer Robinson, Jane Stadler and Andrea Rassell