Abstract This essay problematizes, from a theoretical standpoint, the concepts of off-screen and the cinematic image. Taking into account both Deleuze’s definition of time-image and the concept of limit, it’s possible to compare the filmic image to that of a threshold. Such a threshold is to be experienced by establishing a parallelism with the condition … Continue reading Off-screen: the liminal dimension of the cinematic image – Cristiano Dalpozzo