When The Exorcist hit theaters in 1973, televangelist Billy Graham was widely rumored to have said that evil resided in the very celluloid of that film.[1] Scott Derrickson’s Sinister (2012) derives horror from a similarly perverse faith in film stock as a vehicle for evil. Although a digital production, Sinister incorporates digitized Super 8 footage … Continue reading Sinister Celluloid in the Age of Instagram – Marc Olivier