Australian film theorist, Stuart Cunningham noted in 1983, that through grafting onto a Hollywood musical tradition, we have ‘Australianised’ the Hollywood musical (239). Stuart Cunningham’s concept of the Australian musical as a grafted structure persists in One Night the Moon (Rachael Perkins 2001) and Moulin Rouge (Baz Luhrmann 2001), two of Australia’s most recent musicals. … Continue reading From the Hollywood Musical to Music Video: The Grafting that Lies Beneath Contemporary Australian Musicals – Diana Sandars
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