Four Cameras are Better than One: Division as Excess in Mike Figgis’ Timecode – Nadia Bozak

Abstract: This paper argues that the democratisation of digital cinema has inaugurated a prevalence of the long take and the split screen and a resultant excess of images. Mike Figgis’ use of both the split screen and long take in his Timecode exemplifies the intimate connections between surveillance culture, digitisation and ideologies of material wealth. … Continue reading Four Cameras are Better than One: Division as Excess in Mike Figgis’ Timecode – Nadia Bozak