Double Take: Rotoscoping and the Processing of Performance – Kim Louise Walden

Abstract: In 1915 the Fleischer brothers, Max and Dave, developed a device known as the “rotoscope” which allowed the artist to trace over the original film footage frame by frame to make a more life-like rendition for animation. Rotoscoping’s digital descendent, known as “Rotoshop” was used to style Richard Linklater’s animations Waking Life and A … Continue reading Double Take: Rotoscoping and the Processing of Performance – Kim Louise Walden