Refractory: a Journal of Entertainment Media, Volume 29, 2017 Abstract: David Lynch’s Twin Peaks: The Return (2017) creates a sophisticated hyperconscious web that intersects televisual and cinematic technologies and their histories, and analysis reveals a continual obsession with how the moving image mediates and connects actual and virtual spaces and times. Whilst Jim Collins identifies sophisticated hyperconscious … Continue reading Twin Peaks: Hyperconscious Histories of Mediation ~ Jennifer Beckett, Wendy Haslem & Radha O’Meara